#only shows up on light backgrounds!

[snailspng]

Just went for a wander through your blog. What a lovely little place! Thanks for taking the time to create this cozy corner of the web :D

Mansquito png for you

[vaultureculture]

October kickstarter update info in the tags <3

[boilercity]

I'm sure this is not the case but I think it would be so fun if those bigger shots of the gunslinger outfits meant there were pop-ups that showed up the first time you got any of the transformations. Like megaman style kind of? It's hard to describe but I have something very specific in mind. I just can't remember what game I'm taking the concept from.

[victorluvsalice]

Valicer In The Dark: "A Murder Shared Is A Murder Thirded" Outline!

Hello everyone -- I recently started work on the second Valicer In The Dark story, "A Murder Shared Is A Murder Thirded" (aka the one where they kill Bumby), and I thought it might be neat to share with you guys the outline I prepared for the story! Especially since I don't have any Sims 4 stuff to share on Wednesdays at the moment, thanks to the Chill Valicer Save file no longer functioning. :( I have plans for a successor, but it's going to take a little bit to get off the ground, so...

*shakes head* Anyway -- outline! My planning process for this story involved approaching it like it was an actual Blades In The Dark score -- complete with deciding on the type of plan the gang was going to use (and the detail they needed to provide), the loads they were going to have (and thus how much stuff they could actually carry), and doing actual rolls to figure out how the story would progress as they encountered various obstacles! (I, uh, may have purchased actual BITD-themed dice and a dice tray explicitly for this purpose. ^^;) However, I also took a moment to note down any "must-happen" moments in the fic first -- basically, any particularly important or cool bits that were going to occur no matter WHAT the dice said. Reason being, I've done some "rolling for something on the spot" fic-writing in the past with a friend, and I know how fucking frustrated I get whenever a dice roll ruins the cool thing that was supposed to happen in my head. Noting down the things I was DETERMINED to have happen and doing all the rolls BEFORE I actually started writing meant that I couldn't get angry at a good moment being ruined. Though actually, as you'll see, the dice were pretty kind to the trio in this score! I guess they wanted to make sure they succeeded in their task as much as I did. :) So, without further ado, here's the outline/score summary for "A Murder Shared Is A Murder Thirded!" Naturally, there will be spoilers for what happens in the fic, but I'll put most of it behind a cut, and you guys already know I have no care for spoiling my own stuff on here. XD

---

Score: Infiltrate the Houndsditch Home For Wayward Youth in Charhollow, find proof of Bumby’s activities, and preferably kill the bastard

Plan Type: Stealth (I mean, there’s going to be an element of Assault, but first they have to get in)

Detail: Point of Infiltration – the back door into the basement kitchen of the house

Loads: Alice – Light; Victor – Light; Smiler – Light (each have three load slots)

Have To Happen Moments:

The gang successfully make it to Alice’s room so she can get her stuff; possible heartfelt moment when they see the picture of her family on her wall

The gang successfully finds Bumby’s ledger in his office (inside a safe stowed away in a hidden drawer of his desk; it’s generally opened via Lizzie’s key but can be picked)

Bumby shows up, and Alice reclaims Lizzie’s room key and blows him up

Gang successfully escapes with the ledger, and run into Smiler’s parents Matt and Carol as they head out of town; they’re taken back to the Ministry Of Joy for the Names (aka night)

Engagement Roll:

+1 d for sheer luck

+1 d for being bold or daring (they’re trying to expose a known philanthropist as a child pimp)

+1 d for exposing a vulnerability of the target (Dr. Bumby has written off Alice as lost in the city and hired a new dogsbody, AND he doesn’t think she’d ever get anyone to help her if she did tell anyone about his activities)

3d total

Result: 1, 2, 4 – Mixed result, risky position – they get in the back door without incident, but Alice’s replacement June comes into the kitchen as they’re preparing to head up the stairs

Score Rolls:

As per the above, trio encounters June coming into the kitchen shortly after their successful infiltration and have to get past her – Smiler immediately introduces themselves and explains that they were hoping to meet with Dr. Bumby to see if they could form a partnership, as they believe their alchemical prowess would help the man in his work (they are indeed cringing on the inside as they say this) – Sway, 2d – 6! June believes them and sends them up to see Dr. Bumby with the other two

Safely inside the house, Victor gets the idea for Alice to get her stuff from her room before they proceed further (having already suggested they grab it before they went); Alice agrees with this and they grab her things (1 load for Victor, who I picture as carrying the bag)

Head up the stairs to Bumby’s office, encounter one of the children (Abigail? Charlie?) in the upstairs hallway, who naturally recognizes Alice and wants to tell Dr. Bumby she’s back – Alice tries to tell them no, with Smiler backing her up by claiming they want to surprise him – Command, 3d (+1 for Smiler’s help, 1 stress for Smiler; +1 for pushing herself, 2 stress for Alice) – 5. The kid agrees not to go tell Dr. Bumby right now, but it’s clear that they will tell him the next time they see him… Start a “Bumby Shows Up” clock as a result, four pieces, none ticked so far

Into the office before Dr. Bumby shows up! Time to find that ledger… The trio split up – Alice examines the bookshelf, Victor checks Dr. Bumby’s desk, Smiler looks around for anything that might give them a clue as to where the ledger might be

Alice – Study, 2d (+1 for pushing herself, stress up to 4) – 6! She doesn’t find the ledger in the bookshelf, but she does find a book safe with some money in it – +1 Coin for the gang to take with them!

Victor: Study, 2d (+1 for pushing himself, 2 stress for Victor) – 5. Victor finds a secret drawer with a safe in it – but, well, unsurprisingly, it’s locked, and opening it will take a bit (+1 to the “Bumby Shows Up” clock, 3 segments left)

Smiler: Survey, 2d (+1 for pushing themselves, stress up to 3) – 6! While Victor finds the safe, Smiler notes the windows on the side of the office and determines that it would be safe for the group to exit via one of them if they had the appropriate means to do so – cue them going “good thing I brought some rope!” and setting it up for them to climb down (one load ticked for Smiler)

That safe looks like it’s important – shame it’s locked! Smiler offers to try and pick it (flashback to them finding some lockpicks in Elder Gutknecht’s library – as they have, or will have, the “Pack Rats” special ability as Shadows, I will let them squeak by with no stress for this – probably does count as load for them, so that’s a second slot ticked) as Alice and Victor keep watch for Bumby or other suspicious children – Tinker, 2d – 5. Smiler gets the safe open, but Alice hears what sounds like someone coming up the steps… (+1 to the “Bumby Shows Up” clock, 2 segments left)

However – safe is open, and there is indeed a ledger inside! A ledger that is very clearly about selling off children to pedos, and in fact contains some notes from Bumby about the work that he does...and how much Alice reminds him of Lizzie. Everyone is notably disgusted, and Alice angrily wishes that she could get that room key off him, but agrees that it’s better to try and escape. The ledger is thus shoved in the bag, and Victor closes up the safe and stores it back in the secret drawer, before the trio try to stealthily head down the rope leading outside –

Alice – Prowl, 1d – 6! Alice is shockingly stealthy and gets down like a fucking ghost

Victor – Prowl, 1d – 4. Victor is not so stealthy and hits the wall once – he doesn’t make THAT much noise, but it’s definitely noticeable… (+1 to the “Bumby Shows Up” clock, 1 segment left)

Smiler – Prowl, 1d (+1 for pushing themselves, stress up to 5) – 4. And Smiler is also not particularly stealthy, losing their balance as they get off the rope and falling over – just loud enough for someone to notice! (+1 to the “Bumby Shows Up” clock – full!)

And that someone is Bumby, who entered his office at just that moment, saw the rope hanging out of his window, and stuck his head outside to see Alice and two other people, one of whom is carrying a bag. He naturally assumes that she’s stolen SOMETHING from him (even if he doesn’t yet suspect it is his ledger) and starts yelling at her – Alice blasts him as an abomination and reveals that she knows exactly what he’s been doing. Bumby is first like “oh come on, who would believe–” And THEN it registers “wait, she’s here with two other people, SHIT SOMEONE BELIEVES HER” and scrambles out of the office himself on the rope. Fortune roll for how gracefully he gets down, 2d because I imagine he has decent Prowl to get kids to customers – 4. He gets down, but like Smiler he lands badly and is off-balance for a bit –

And Alice, seeing an opportunity, darts in and grabs his watch-chain, ripping Lizzie’s room key off it, while shoving the electroplasm bomb (tick one load for Alice) into his hands. As this is a must-win scene for the fanfic, this Skirmish, 2d roll is only to determine the consequences to her – 4. She gets the bomb in his hands before he can retaliate, and he goes up a treat...but unfortunately, poor June has come out of the kitchen, attracted by the noise, and promptly starts screaming as Bumby goes up, forcing the trio to flee VERY FAST (Smiler yelling “sorry!” behind them) – they are not a crew yet, but they will start being one with 1 Heat on their tracker as a result!

However, score is officially a SUCCESS! :D The trio run until they’re sure they’re not being pursued, then take a moment to celebrate their victory, with Alice being very happy that she was indeed able to kill the bastard (even if she accidentally traumatized her replacement – she’ll want to make up for that later if she can). Talk then turns to getting the ledger to someone who will be able to publicize Bumby’s misdeeds – And then someone says “Smiler?” nearby, and Smiler recognizes their parents! They run over for hugs and introduce Matt and Carol Alton to their new friends. Matt and Carol are very nice and warmly greet Victor and Alice – Alice, feeling a little guilty, apologizes for getting Smiler into some trouble and preventing them from coming home sooner. Matt and Carol are confused, so the trio explain the Barkis situation and the whole “turns out he was a Spirit Warden and the Bluecoats think we murdered him” thing – And Matt and Carol go, “Oh! No, the actual Spirit Wardens confirmed he was an imposter who killed one of their own and stole their kit, and that his corpse showed signs of being very recently possessed before it burned, so you’re in the clear!” Victor, Alice, and Smiler are a bit “…” over this, as you might imagine. Carol jokes that, “oh come on, it’s not like you killed anyone else, right?” [significant silence] “...right?” Fortunately, this is when Victor hands over the ledger, with Alice and Smiler explaining a bit more about what just happened – after a look inside, Matt and Carol are like, “Oh, yeah, that murder was TOTALLY justified, good job.” They tell them that they can send it onto a reporter of their acquaintance, the lady who runs Publick Occurrences, and that Victor and Alice can stay the night in the Ministry of Joy if they want. As the trio have spent two days since the end of “Start At The Beginning...Sort Of” living in a house with no running water or heat, in one set of clothes, they are more than amendable to this suggestion, and the story probably ends with them on the way to the MOJ.

Post-Score Summary And XP:

Alice:

Stress level before downtime actions – 4

+1 Coin

XP:

2 for addressing a challenge with violence or coercion (commanding the kid, killing Bumby)

2 for expressing her beliefs (protecting the children) and background (she was the former dogsbody at Houndsditch!)

1 for – less struggling with and more indulging her vice (Obligation to the children of Houndsditch!)

Total: 5 – put 3 in the Insight XP tracker, 2 in the Prowess XP tracker (Alice wants Hunt and Finesse)

Victor:

Stress level before downtime actions – 2

XP:

1 for expressing his background (trade, he was the one to know to look for a ledger in the first place)

Total: 1 – put it in the Playbook XP tracker

Smiler:

Stress level before downtime actions – 5

XP:

2 for addressing challenges both with deception (talking their way past June) and technical skill (picking the lock on the safe)

1 for expressing their beliefs (taking Bumby down makes the world a little bit happier)

Total: 3 – put 2 in the Insight XP tracker, 1 in the Prowess XP tracker (Smiler wants Study and Finesse)

Downtime Activities:

Alice:

House Rule – if a score serves as indulging a vice for a character, that character automatically gets 1 stress knocked off the tracker at the end – stress down to 3

Train Insight, +1 XP in that tracker (Alice is working toward Hunt – maybe she gets pulled into a game of tag with some of the younger members of the cult XD)

Train Prowess, +1 XP in that tracker (Alice is also working toward Finesse – does some drawing)

Victor:

Train Playbook, +1 XP (Victor talks to some of the Whispers in the cult, starts getting excited about being one despite himself)

Train Resolve, +1 XP (Victor might as well work toward another Attune dot)

Smiler:

Indulge Pleasure Vice – 4, stress down to 1 (entertains themselves and their new friends with some songs on their guitar)

Train Prowess, +1 XP in that tracker (Smiler is working toward Finesse, and playing the guitar works with THAT too)

[wetbloodworm]

boring pose but this is just an excuse to draw glowing blood, it’s fine

[alangdorf]

Had Traitor Magolor almost done except for the legs too, lol. My brush settings were way better on this one; I just did the coloring process kinda backwards and was really stubborn about not pulling it into csp to make the EX recolor better, but I still like the results ok. And I’m including a rainbow version of the background I made but didn’t end up committing to both to shorten the post and because I think it’s funny. Bisexual Flag Guy in the Gay Dimension

[your-friend-bram]

Has anybody seen the Red and Black ballet? It's based more on Coppola's Dracula film more than the book, but it's still gay as hell and has an amazing sense of horror.

[newspecies]

im so fragile tonight. good to know that all i need is a mash video essay to completely ruin me

[neonacidtrip]

I see these types of posts every now and again, and it’s only just occurred to me to share some knowledge:

Lines

Lines are often the heart of drawings, and they tend to be the part artists will draw over and over and over again to get them juuuuussssssttttttttt right. Pointing out lines you think are well done will go a long way to compliment an artist.

Your lines are dynamic! (Good for action pictures, art of an intense scene, or art that conveys movement, like a character running)

Your lines are so clean! (Good for neat lines of various sizes. These lines will feel like a coloring book, where you could color inside them yourself if the art was black and white)

Your lines carry such depth! (When lines cross over each other, they make a flat picture look more real, almost like 3D)

You’re good at drawing intricate lines! (Curling lines? Curvy, wavy, bendy lines? Lines that weave around each other? Many, small lines detailing an item like filigree or a robot’s parts? Those are intricate lines, baby)

You make great use of line weight! (In general, the human eye will be drawn towards very thick lines. Artists will use this to make you focus on a certain point, like a character’s face, by using thick lines around the face and thinner lines everywhere else)

You do amazing lineless art! (Not all art has lines! If you see a picture without any lines, make sure to tell the artist you noticed their hard work!)

Your line colors are fantastic! (Not all lines are done in black or white. Some artists will spend a lot of time choosing what color to make their lines. Show them some love!)

Color

Your colors are so vibrant! (Bright colors! Colors that pop! Colors that instantly grab your attention!)

The saturation is great! (A very bright color is highly saturated, and a very dull color is low saturated. High saturation colors can hurt the eyes, so an artist with good saturation control knows how to use bright colors without hurting anyone’s eyes)

I love your color choices! (This can be used for all color schemes; it’s a more general compliment that praises the artists for their understanding of color theory)

Your colors feel like home! (Good for cozy colors. Warm colors that aren’t usually super bright. They make you feel all warm inside. If you picture a cozy cottage in the woods, you���d probably image these colors)

Your pastels are so pretty! (Muted colors usually fall into the category of “pastels”. These are soft colors that are meant to be calming and non-oppressive on your eyes. Think: The opposite of vibrant)

Your colors are so soft! (Similar to the above two, this is for a picture that makes you feel soft and warm and fuzzy inside. It’s more directed towards warm and pastel colors instead of vibrant colors)

Your ability to blend colors is fantastic! (Putting two different colors right next to each other can look jarring or choppy, so many artists will blend two or more colors together to make things look more natural and appealing. A good example is giving a character a subtle pink blush on their otherwise skin-colored cheeks)

You are super good at choosing color palettes! (Good for when the artists regularly chooses colors that just feel like they belong together. Best for when there are only a limited number of colors in the picture)

Your colors are so clean! (Layering color on top of color on top of color can make everything muddy and dull. Artists who blend things well will have “clean colors”. Likewise, some artists intentionally avoid blending to make simple, bold art, in which case their colors are very, very clean)

Light and Shadow

Conveying light and shadows can be really hard. It can take years to understand how lighting works, and it’s even harder to put your knowledge of it into practice. It can be done with colors, lines, textures, and many other ways.

Your lighting is so good! (A general compliment for any time you see good use of lighting. If you’re unsure, check the eyes and the face of the character, as they often have the most highlight to them)

You made great use of shadows here! (Good for when a dark area really captures your attention)

Your shadows feel so alive! (Artists can be really creative. They make dark areas that seem to move or curl or otherwise just be alive on the paper)

The lighting is so soft and gentle! (Like before, this is for art that just makes you feel soft inside! I think of a character maybe surrounded by light in a field of flowers when I imagine something like this)

You balance your shadows so well without making things too dark! (Using lots of dark colors to make shadows can make the picture hard to see, and details can get lost. If you see a picture with lots of shadows, but you can still easily see all the details, then the artists has really good balance and color control)

Your contrast of light and shadow is amazing! (Good for when the artists uses lots of both light and shadow! You often see pictures with a stark difference between the two, like a character standing in the light and the other falling into shadows, but you can also see good contrast in a more standard setting, like a city-scape set in the afternoon)

Details

Pointing out details is one of the fastest ways to make an artist feel seen. It’s harder to give examples for this because it will really, really boil down to the individual picture. The general rule is if you see something you like, say it! Try looking for things to point out, like:

A character’s expression (”She looks so angry!” or “His expression is so sad, I’m going to cry!” or “Wow! I can really tell what they’re thinking just from that expression alone!” or “You draw expressions so well!”)

Little things a character is doing/holding/etc. that may get overlooked (”I noticed you even clenched his fists! Good job!” or “I love her tiny hair clip!” or “You painted her nails to match his eye color! I love it!”)

Details in the background/landscape (”I love the little bird nest you included in the tree branches!” or “The way you draw water is so pretty! I wish I could swim in it!” or “Is that’s Character B’s hand in the background? So cool!” or “That is the softest cat; I want to pet it!” or “That food on the table is the tastiest thing I’ve ever seen!”)

Clothing! (”Her dress is so pretty!” or “Wow, you do such a good job drawing suits!” or “Her t-shirt is so funny!” or “That hat is so cute by the way!”)

The general idea here is just to say whatever comes to your mind, whether it be literally pointing out the obvious (example: “I love that you drew this character wearing a flower crown! Flowers are so pretty!”) or pointing out how the picture made you feel (example: “This picture makes me so happy, I wish I could eat it!”). Just say what you like about it. You don’t need to know fancy art terms. Saying “Your blues are so blue!” is a perfectly wonderful way to describe the three different shades of blue the artist used to draw an ocean. As long as you aren’t criticizing, you can’t really go wrong.

me, absolutely not an artist, desperately trying to articulate how much i like adore people's fanart: ouughgh the colors. there are so MANY of them!!!! and the lines,,,,,,,,,, they are made of lines.. impeccable

[paragonrobits]

some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:

Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.

The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.

There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.

Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).

Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.

On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.

Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."

[the-stove-is-on-fire]

After School Ghost Theory 101 with Professor Fenton

Switch to light mode or Classic Blue to get the full transparency effect!

[Image ID: A four page comic that starts with Danny Fenton standing in front of a whiteboard holding up a white cat. "Question: Do ghosts purr?” 

Tucker: “Danny when was the last time you slept?” Danny: “Irrelevant.” 

Danny info-dumps: “The answer is yes, but also no. Technically, all beings that possess a core are constantly "purring", a.k.a. Core Vibrations. Core Vibrations are a nonverbal, emotion-based communication system between Ghosts, similar to how some living species use pheromones to communicate. The exact tone of each ghost is different the same way people's voices are different. Humans can only hear these vibrations when the frequency passes through their audible range (20Hz - 20KHz), hence the 'purring' sound. When the range dips into infrasound (16 - 20Hz) it can cause feelings of fear and unease in humans that they often associate with ghosts and the supernatural. Also known as the ‘Heebie Jeebies.’”

Danny, wiping off the whiteboard: “Any questions before we move on?"

Danny’s audience consists of Wes Weston, Tucker Foley, Sam Manson, Danny’s clone Ellie, and Dash Baxter in a classroom. Wes is seated at a desk at the front taking notes. Tucker is sitting on Sam’s lap playing on a Switch, Ellie is sitting on a desk behind them. Dash is asleep at the back of the room.

Ellie, now holding the cat: “Is this Vlad’s first cat!?” Wes: "Could you tone down the floating eyes before the next part? They're kinda distracting." Danny: "What eyes?" Wes: “Please stop gaslighting me.”

A transparency trick on the last page reveals dark shadows and eyes all around Danny when viewed in dark mode. /.End ID]

An Extended Image ID is available under the read more because it’s over 1k. Side by side light and dark mode versions of the transparency trick is also available under the cut.

[Extended Image ID: The post contains a four page comic. The first page shows two comic panels with white borders. The top panel features a bedraggled looking Danny Fenton from the waist up holding a disgruntled fluffy white cat. There are bags under his eyes, his hair is messy, his arms are covered in bandaids and cat scratches, and his nails are painted black. He’s wearing a white shirt with red sleeves and a red oval on the front. In a large green text bubble he says “Question: Do ghosts purr?” A small orange text bubble under it asks “Danny when was the last time you slept?” “Irrelevant” Danny replies. 

In the bottom panel Danny is standing on the far left side of the panel in front of a whiteboard in a classroom with the cat under his arm. He’s wearing baggy jeans with holes in the knees and his classic white and red Converse shoes. The whiteboard behind him has partially erased doodles around the edges including some flowers, stars, and Phantom’s DP symbol. There are a few balls of paper on the floor. Partially out of frame on the wall behind Danny is a poster of  Einstein and above it a clock. Pointing at the whiteboard with a marker Danny says “The answer: Yes but also no” His words are written on the whiteboard. Under the words is a drawing of a stick figure and a green bedsheet ghost with a circle between them. The circle is surrounded by green squiggly lines radiating out from it. Under the circle, an arrow is drawn pointing to it with the words ‘core vibrations’ written on the board. A green text bubble in the space under the whiteboard says “Technically, all beings that possess a core are constantly "purring", a.k.a. Core Vibrations.”

On the second page there are two blocks of text, each followed by a drawing. The page background is a pale, greenish-grey with subtle scuff marks imitating the look of a whiteboard. The first block of text at the top of the page reads “Core Vibrations are a nonverbal, emotion-based communication system between Ghosts, similar to how some living species use pheromones to communicate. The exact tone of each ghost is different the same way people's voices are different.” Under the text, imitating the look of dry erase marker, is a drawing of two simple ghosts smiling and waving to each other. They both have a small green circle drawn on their chest area with green squiggly lines radiating out from each ghost. Between the two cores, two parallel arrows are drawn, facing opposite directions. Under the arrows is the text “core to core communication.” 

Under the ghosts is a second block of text reading “Humans can only hear these vibrations when the frequency passes through their audible range (20Hz - 20KHz), hence the 'purring' sound. When the range dips into infrasound (16 - 20Hz) it can cause feelings of fear and unease in humans that they often associate with ghosts and the supernatural. Also known as the ‘Heebie Jeebies.’” Under the text a red arrow points from the words ‘heebie jeebies’ to a simple drawing of Dash Baxter holding a flashlight and looking scared. There is a cobweb with a dangling spider drawn to his right and a bunch of green blob ghosts behind him to his left. In blue text the blobs say “you forgot to update your mailing address with the IRS” and “you filed your taxes incorrectly.”

The third page once again shows two comic panels. In the top panel Danny takes up the centre. He’s stretched across the whiteboard in a dynamic pose erasing the drawing of frightened Dash with a big swipe. One hand is braced on the board as he looks over his shoulder and asks “Anyone got questions before we move on?” If the image is viewed in dark mode, there are five, messily drawn eyes of varying sizes surrounding Danny. If viewed in light mode, the eyes are absent. 

The bottom comic panel reveals Danny’s audience to be Wes Weston, Tucker Foley, Sam Manson, Danny’s clone Ellie, and Dash Baxter. In the bottom left corner, Wes sits slouched at a desk at the front of the classroom with papers and an open notebook spread out over his desk. He’s wearing a red zip up hoodie with white sleeves. His hoodie is unzipped showing a green shirt underneath that matches the colour of his eyes. At the desk beside him Tucker and Sam share a chair with their focus on Tucker’s Switch and not Danny’s presentation. Tucker is sitting in Sam’s lap with her arms around his waist and her head resting on his shoulder. Tucker is wearing a red beanie with short dreads, goldenrod yellow turtleneck sweater, green cargo pants, and white shoes. Sam is wearing a black crop top with a fishnet layer over top, purple pleated plaid skirt, artistically ripped purple leggings, and black combat boots with bright green laces. Tucker has the tips of his dread dyed green and purple. Sam has streaks of purple, green, and orange in her hair. Ellie is sitting cross legged on top of a desk two rows behind Sam and Tucker. She’s wearing a cropped hoodie with the same colours as Danny’s shirt and black track pants with white and red shoes. Her hair is tied in a high ponytail and she is holding the squirming fluffy white cat up in the air. At the very back of the classroom behind Wes’ left shoulder Dash can be seen asleep slouched over his desk. Wes has one hand resting on his desk holding a mechanical pencil the other partially raised with his hand open. In a beige text bubble with red text he replies to Danny’s question with an unimpressed look on his face “Could you tone down the floating eyes before the next part? They're kinda distracting.” Under his text bubble a small blue text bubble from Ellie asks “Is this Vlad’s first cat!?” If the image is viewed in dark mode, there are three visible floating eyes off to the side of the panel. If viewed in light mode, the eyes are absent. 

The final comic page is a single, full body shot of Danny standing in front of the blank whiteboard. He’s looking over his shoulder, slightly turned with his back mostly towards the classroom and the eraser in his hand. He has an incredulous look on his face. If the page is viewed in dark mode, the background looks dark and Danny is surrounded by dozens eyes of in all different sizes. If viewed in light mode, the eyes are absent. In a green text bubble Danny asks “What eyes?” In the bottom left corner Wes replies “Please stop gaslighting me.” /.End ID]

[sirfrogsworth]

Remember this joke?

Well, I am going to do something similar only with photography. This is a photo someone took for an Amazon review of their Clinique products.

Honestly, it is not a terrible photo. They did some staging. They have an interesting background. All of the labels are legible. It is properly exposed. This would be a perfectly acceptable product photo for an Etsy page.

I've been taking these advanced photography courses in preparation for whenever I am able to create a new studio in the house. And my teacher is a photography badass. I just watched a 6 hour class on how to recreate a professional Clinique ad. And at first glance it looks deceptively simple. It's just some skin care products being splashed with a little water.

Which is why I wanted you to see an average person for reference.

This is what Karl Taylor came up with.

And I don't think I've learned so much about photography in one tutorial before.

Product photography is just loads and loads of problem solving. You have to light the chrome caps with a gradient. Which requires giant diffusion scrims.

Those big white panels are literally only there for the two chrome caps.

You need a pure white background, but you can't let light spill all over the studio, so you put up giant black light blockers.

And you have to add another light just for the orange bottle on the right.

Oh, and if you want the bottles to glow, well, you have to hide a silver reflector behind them.

But you still want the edges of the bottles to be darker so they have some contrast. So you add some black tape to the sides.

And in order for the reflective labels to have bold black lettering, you have to reflect black cards into them.

Ack! Karl's beautiful bald head is showing up in the chrome caps! He must put on the naughty blanket.

And once you get every aspect of every bottle perfectly lit, you finally get to yeet some water at it all.

I don't love product photography because I have a weird obsession to help greedy corporations make their wares look more beautiful. I love it because it is a complicated and challenging new puzzle every time. Every product is a different shape and requires a different technique to make it look its best.

I don't know if I will be able to live up to Karl's standards.

This is about the level I was at in 2017 before I quit photography.

I have so much more knowledge in my brain now. I'm really hoping I can surpass that.

[noughticalcrossings]

Put thee not on Silent

[ID: A 4 panel comic made of digital paintings of a zoom meeting between the knights of the Round Table.

Sir Galahad, Queen Guinevere, Sir Gawain, Sir Lancelot, Sir Bedivere, have their own individual screens, and one screen shows a conference room with King Arthur, Sir Mordred, and others who are not named.

Both Sir Lancelot and Queen Guinevere have their cameras turned off, and microphones muted, the entire time.

Panel 1 shows King Arthur with a few of his knights, with Sir Mordred brooding beside him in shadows, and a hand reaching from offscreen to steal snacks from a bowl.

Sir Galahad has his microphone muted, and is in a forest, looking up and to the side. He has brown hair up above his head and very pale skin.

King Arthur asks, "Sir Gawain, canst thou see the PowerPoint slides?"

Panel 2 shows Sir Gawain, who has brown skin, black hair, green clothes, and heterochromia, with one green eye and one dark, replies, "Verily I cannot, I think it be a miasma of the sight."

Behind him for the background is a section from the Green Knight manuscript, showing faded lettering and a green knight on a green horse standing in front of someone with a large axe while a crowd of spectators watch from the sides.

Sir Galahad's screen is now slightly motion-blurred, showing a reddragon's open mouth in front of Sir Galahad's face.

Panel 3 shows Sir Bedivere, labeled Tech Support, who wears a blue shirt and a plumed knight's helm, looking exhaustedly into the camera, pushing his helmet visor up with one hand. He is lit by blue light and has bags under his eyes, asking: "Hast thou sharest the screen?"

His background is of a library. Sir Galahad's screen is now taken up by the motion-blurred side of the dragon that is attacking him.

Panel 4 shows Sir Gawain turned slightly to the side, looking derisively at the camera, saying: "Yea, but I cannot hear Sir Galahad."

The only thing left in Sir Galahad's screen is the motion-blurred, spade shaped tail tip of the dragon chasing him.

End ID.]

Description very kindly added by @describe-things

[hyunebunx]

⋆.˚ ᡣ𐭩 ⏖ ’ early morning moments with skz !

⁺ 𖹭 . genre: fluff! jisung's a tiny bit suggestive

⁺ 𖹭 . a/n: since i've done late night moments with them, i think it's only fitting i write this as well! enjoyy <33 pls let me know your thoughts by reblogging or leaving a comment <3 (inspired by some of these prompts <3)

𝜗୧ chan 𝜗୧

You’ve been awake for a while now, snuggling and holding each other close as half of your body was on top of your boyfriend’s, almost latching onto him like a koala bear without shame. And he didn’t mind, Chan never did, content with being glued to you in every situation, hugging you so tightly like he wanted you to morph into one, the same entity kept alive by the beating of a singular heart.

“You fell asleep in the first 20 minutes of the movie last night.” You whisper, drawing random shapes on his exposed pecs, laying in the crook of his neck. Chan makes an apologetic sound before he’s interrupted by a yawn, stretching his arms above his head and letting one fall to curl around your middle. “Sorry, baby. I guess I was pretty tired.”

Tired is an understatement, and you laugh, lazily reaching for your phone on the nightstand to show him exactly what you’re talking about, with him tugging you right back to his chest when you stretch too far. There is a picture of Chan, sitting on the couch with his head thrown back and mouth open, snoring away while the movie he’s been begging you to watch together was rolling in the background.

The laugh he lets out is quieter than usual, the remains of sleep obvious in his half-closed eyes and deeper voice. “Damn, I was out like a light.”

You continue cuddling for a while before agreeing it’s time to start your day, reluctantly separating and sitting up at the end of the bed, adopting the same stance.

He’s still mumbling about something when you notice his hair sticking out in every direction, reaching out to tame the curls before stealing a kiss which only makes your boyfriend want another, and another until twenty minutes have passed and you’re still in bed, snuggling and making out like the world outside your bedroom did not exist.

𝜗୧ minho 𝜗୧

“Minho.” You whisper, tossing and turning under the blanket to face him, peering at his sleeping face. Your boyfriend was on his back, resting peacefully, unaware of the godly beauty he possessed, one people would surely go to war for, chest rising and falling rhythmically.

He doesn’t respond so, you try again. “Minho!” this time, he scrunches his nose cutely and rolls over, away from you and your antics he was too tired to be a victim of this early in the morning.

“Minho, are you awake yet?” You know what they say, third time is the charm because your boyfriend responds instantly, voice loud and clear, the opposite of your soft tone which takes you by complete surprise. “No.”

“Oh, okay.” you whisper, feeling bad for disturbing him. “Sorry.” you almost turn on your side and succumb to slumber before it hits you. Without warning, you swing a leg over his torso before rolling yourself over him to land on the other side of the bed, ignoring all his groans in protest.

“Liar!” You’re nose to nose now and Minho barely gets to open his eyes before you push his shoulder, causing him to fall on his back as you climb to straddle him. You waste no time leaning down and connecting your lips in a sweet kiss, cupping his cheeks and squeezing affectionately. As much as he wanted to complain, Minho couldn’t help but smile against your lips, body melting into the mattress while one of his veiny hands moved to rest on your exposed thigh, needing to feel more of you.

He should lie more often if this is the reward he gets.

𝜗୧ changbin 𝜗୧

“Binnie.” You’re gentle as you brush curly hair strands from his forehead, smiling when he instantly leans into your touch. “My love, I know you’re awake.”

“Then you should also know I hate waking up to an empty bed.” He pouts, eyes still closed stubbornly. With the same fond smile, you roll your eyes, hand dropping down to slowly trace his every feature, knowing he could never resist you.

“I had a good cause, I promise.” When he doesn’t budge, you reach for the tray on the nightstand and place it across his lap, over the blanket, careful his smoothie doesn’t spill over. “I made breakfast.”

Just like magic, his eyes snap open and he sits up so quickly you wonder if he got whiplash that was instantly cured by the smell of his favorite breakfast. His eyes sparkle as his gaze moves back and forth from the tray to you, so touched and grateful as he takes it all in, noticing the effort you put in so early in the morning just to cook a feast and surprise him with breakfast in bed. Nobody’s ever done something like this for him, love him so deeply and openly. Is this what being the luckiest man in the world felt like?

“I love you.” The words stumble out without second thought, eyes misty, forgetting all about being upset and giving you attitude. When you laugh, he does too, carefully leaning over the food to kiss you, the love of his life that adored him in the exact same way he adored you.

Love is the greatest gift he’s ever received and as selfish as it sounds, Changbin hopes you’ll continue loving him this way for the rest of your shared lives, that you’ll always remain by his side. He promises to continue eating your cooking even when you’re both old and grey, impaired taste and all.

𝜗୧ hyunjin 𝜗୧

The early hours of the morning found you in the arms of your beloved, sleeping away, undisturbed by the outside world and its people who were already hurrying around to get to work on time. You won’t be joining them today, nor will the man whose warmth was currently engulfing you whole, creating a safe love bubble you never wanted to burst.

Your face was buried in his chest, the soft material of his t-shirt moving with each breath he took, his heartbeat rocking you to sleep every time your eyes opened to check the time. Old habits die hard, but Hyunjin always manages to calm your racing mind even from dreamland.

Half an hour later, when the sun starts to peek through the drawn curtains, you’re awakened by tiny paws jumping on the bed, breathing and barking loudly. So much for sleeping in. Hyunjin’s eyes open with a smile, arms tightening their hold on your middle as he brings you even closer, resting his chin on top of your head while squeezing tightly. Morning cuddles were a must, even if your boyfriend’s other baby was too impatient to be let out to allow you to enjoy them to the fullest. 

“Good morning, love.” He greets you with a kiss, lingering there for the briefest moment before finally tearing himself from you, giggling down the hallway as he quickly goes to allow Kkami on the terrace.

He comes back rambling about something that happened at a schedule the other day, blinking the sleep away as he hands you a water bottle, yawning here and there. Unfortunately for him, you’re not listening, too distracted by the way his plump lips move and his husky voice, the words going in one ear and out the other as your inner monologue takes over.

“Your morning voice is so hot.” Hyunjin stops mid-sentence, momentarily taken aback before he bursts out laughing, dramatically collapsing back into bed and reaching for your hand to hold. “What?”

You nod, now sitting up against the headboard, eyes still zoned in on his pink and wet lips, enthralled. “Tell me more, baby. What did Chan do?” “He wasn’t even there!” See, not paying attention at all. But who could blame you when your boyfriend couldn’t take the hint and finally kiss you again?

𝜗୧ jisung 𝜗୧

“I had a dream about you.” Jisung perks up from his place on your chest, the TV running idly in the background, showing a random cartoon. “Was I hot?” “You cheated on me.”

He gasps dramatically but doesn’t move, too comfortable as you continue running your fingers through his freshly dyed hair, almost lulling him back to sleep. “Asshole move, dream me. Off with his head!.” 

You chuckle, kissing the top of his head and turning into a puddle once he begins leaving wet kisses on your neck, apologizing or most likely trying to distract you from how he’s been acting in your dream. It was working, because you lost your train of thought a couple of times before managing to speak again, eyes fluttering shut.

“You were very mean, actually.” Jisung hums against your neck, licking the skin before his kisses move downwards, to your collarbones, warm hands holding you down by the waist, touch burning pleasantly through your thin clothing.

“I’m sorry, baby.” He props his head up, chin resting right above your chest as his eyes bore into yours with a familiar intensity. “Please let me make it up for you.”

That’s what he says but ten minutes into making out and caressing each other’s bodies, his head falls tiredly to his previous place on your chest and you’re both out like a light, the warmth and cloudy weather of the early morning casting the spell of sleep on your forms and trapping you in bed for another three hours.

𝜗୧ felix 𝜗୧

You were not a morning person, it was a well-known fact by everyone in your life. Especially by your boyfriend who usually stayed up to keep you company, talking the hours away and giggling under the blankets until you both passed out just as the moon was retiring for the day.

So, you’re more than perplexed when one very early morning, you feel a warm hand caressing your cheek, followed by soft lips peppering feather-like kisses on every inch of your face, coaxing you awake.

“Baby,” his deep voice calls, barely above a whisper to not scare you, leaving a kiss on the corner of your mouth this time, “wake up, angel.”

You make a face, eyes still closed in protest and make to turn over, away from him until you feel the bed dip and his hand in your hair, massaging the scalp gently. Was Felix trying to wake you up or lull you back to sleep? Pretty sure he was just as confused.

When he leans down again, hovering over your face, your arms spring up and lock at the back of his neck, quickly bringing him down and bumping your noses together. You see his eyes widen, inhaling sharply as he realizes what you’re about to do and dodges your kiss last second, lips landing on his cheekbone instead.

Groggy and grumpy from being woken up this early, you pout, relaxing under his weight as his chest presses yours down. “Kiss me!” Felix chuckles and shakes his head, hands on either side of your head holding him up. “Not until you wake up and join me in the kitchen.” Once he sees you shake your own head and move to try and kiss him again, he adds. “I have a surprise!”

Now why didn’t he say so from the beginning? You release him but he doesn’t move away immediately, smiling from ear to ear before kissing your forehead and scooping you out of bed in one swift movement, strong arms under your knees as he giggles and jogs towards the kitchen, face brightening up when a smile finally graces your features.   

𝜗୧ seungmin 𝜗୧

Every single morning, Seungmin was the first to wake up without fail, reaching for you to bring your body to his chest and cuddle until you also did, just laying there since he never wanted you to wake up alone. 

That’s why when you woke up earlier than usual, with his chin resting on your shoulder and hot breath hitting your cheek, you didn’t hesitate to move around and bring the blanket further up your bodies, making sure you were both covered and comfortable among the many pillows.

“Your feet are cold.” But Seungmin doesn’t respond, legs intertwined and body still glued to yours like he never wanted to let go, couldn’t. You sneak a glance over your shoulder and find his eyes closed, long eyelashes kissing the top of his cheeks as he rested, sleeping deeply. For the first time since you’ve known him, Seungmin didn’t smile in greeting as you woke up, still sleeping soundly like it was the most normal thing in the world.

It felt a bit strange, but your heart only grew as you watched him, admiring his side profile and the peaceful look on his face, the furrow between his eyebrows absent as dreamland took care of him.

You never got the chance to do this, wake up first and let your thoughts run wild as you resist the urge to squeeze his cheeks and plant kisses all over his face, love pouring out at a dangerous pace, threatening to suffocate him at any moment. Not like Seungmin would mind, adoring you too much to not allow you to do whatever you pleased.

As careful as you can be, one of your hands trails down and intertwines your fingers, gently bringing your connected hands to your chest as you curl further into him, content with getting more cuddle time, loving every single moment.

𝜗୧ jeongin 𝜗୧

“Did you know you talk in your sleep?” You mumble into his neck, squeezing your eyes shut as you try to hide from the obnoxious sunlight that is threatening to take your lover away with the start of a new day.

Jeongin laughs, incredulous. “No way! I’ve had countless roommates and none of them have ever complained about me randomly rambling in my sleep.” He headbutts you affectionately, almost like a cat, and snuggles closer, also bothered by the sun but too lazy to get up and close the curtains he forgot about last night.

“I’m not complaining.” Looking up, you share a breath as you move to plant a small kiss on his nose, smiling when it scrunches up in fake annoyance, knowing your boyfriend loved morning cuddles as much as you did. “I actually think it’s kind of endearing.”

He rolls his eyes, big hand drawing circles on your back under the blanket, soothing you in an attempt to get you both to fall back asleep. Mornings were not his thing, and he really didn’t want to leave you, clingier than usual. The bed was so warm, and you were so soft and smelt so good, how could he ever think about leaving? Not like he’d ever admit it out loud.

“What did I say?” He chooses to entertain you, stretching his whole body before bringing the blanket over your heads and moving his arms to hug you, turning on his side so you’re face to face. You pause, momentarily mesmerized by his beauty, messy hair and puffy eyes only making him look even more adorable in your eyes. Tracing his bottom lip, he puckers them to gently kiss your finger. “I don’t know, I don’t speak gibberish.”

He groans, regretting he asked and hiding his face in his pillow. “You also snore.” “I do not!” 

[hanasnx]

“ I WAS MADE FOR LOVIN’ YOU ” — logan howlett.

MINORS DNI 18+ ᶻ 𝗓 𐰁 .ᐟ WARNINGS: fem reader ノ age gap ノ established relationship ノ size difference ノ suggestive content ノ sexual content: naughty daydreams about pussy eating, nipple play, and groping; masturbation; voyeurism.

“I’m gonna take care of you.” Those six words—six—have defined your relationship with your husband, LOGAN HOWLETT. There’s a great protector in him, this compulsion to mentor and house within him that stretches far beyond his own needs. You fall within that range, and as soon as you met him you latched onto him. It didn’t take long at all before your imprint was reciprocated. Now he thinks of you first in everything he does.

He may not always look it, but you’re a factor in all his decisions. Settling down, nabbing a good job—one that didn’t ask for his background—was all to put you up in a house in the mountains. Far away from civilization, an ivory tower made up of wood he cut himself, surrounded by acres of nature. He’s always thought of himself a hair on the wild side, somehow you tame that down. It’s good, he tells himself, you and him.

It’s a partnership, and all he wants out of you is your safety. He likes you where he can keep an eye on you, make sure you stay out of trouble, make sure you’re comfortable.

You wish you could explain just why he thinks he has to protect you, why he married you, why he pays all the bills and expects nothing in return. You wish you could explain just why this relationship comprises all facets of a real marriage except for intimacy.

Logan won’t touch you. You’ll eat off each other’s utensils, fall asleep on his chest on the couch watching a movie—hell, he’ll reluctantly incline in your direction with a roll of his eyes to let you peck his cheek good-bye when he leaves for work. Yet, he won’t even kiss you. Even before he married you, there wasn’t so much as a grope or a stray look.

There’s home in Logan. You live to please him. You’ll cook him whatever he wants, keep the house he built for you clean as a whistle, you’ll spend all your free time with him, grab him his nightly beer and light his cigar so he stays content—but you’ve never even seen him naked. You doubt you ever will. Regardless, you stay, you can’t imagine leaving this life, leaving him.

It’s defied your expectations the fairy-tales of your childhood gave you. Your knight in shining armor rescued you, yet refuses to plant even true love’s kiss. When you’d matured, you’d fantasized about an insatiable husband that found you so irresistible he couldn’t keep his hands off you. Logan’s never looked at you that way, even though he calls you his wife without hesitation, married you without a second thought.

“Is it because I’m younger than you? I’m only in my early twenties. That’s not a big deal!” you’ve reasoned with him, but he still treats you like you’re naive. He must want passion, you’re sure of that. Why else are you young and beautiful if not to take advantage of it while you still can? Just once you’d like to see him yearn for you, to show lack of restraint, to come home one day so hungry for you that you don’t make it out of the kitchen.

Those claws… those deadly metal claws… you wish he’d use them in fantastical and deviant ways. Just one would glide through your nighty like sheet paper, bareing you to your husband—a sight for him only. You lie awake next to him at night, envisioning raunchy dreams of him proudly boasting the size difference between you two, demonstrating his sheer raw strength by overpowering you and taking what he wants from you. You’ve run your fingers delicately over his lips and the rough pad of his shaved chin, but you can’t imagine just how good it’d feel against your tit, swirling his hot tongue around your perked nipple while his callused digits pinch the other. You can pretend his head is ducking between your thighs, the sensation of his soft hair tickling your skin and tangling in your fingers as his masculine jaw scratches the fragile tissue of your pussy. As starved as you are, even discomfort like that is enough to make you moan into your palm, only to check over your shoulder to make sure you still hear your husband’s snoring.

You steel yourself at the noise, the low rumbling of his sleep cautions you to stay quiet but to proceed nonetheless. Your hand creeps down your neck, your chest, your stomach… You really should leave the room, but you’d risk waking him up for real at the sound of the door. Instead, you fuck yourself yet again, the soft rocking of the mattress as you hump your own hand filling the ears of your kindhearted husband—who’s been awake this whole time.

[fxrheisenn]

Andrus Laansalu talked about making Disco Elysium at EKA (Estonian Academy of Arts)

"Initially, the church wasn't a focal point. There were certain characters that needed to visit this location, and I asked, "Seriously, what do we have in our church?" The others replied, "Nothing at all. Our church is completely bare—just a wheel, really. It's quite basic."

That's when I decided to unleash my creativity in the design. For example, they chose to install a glass structure at the top of the church to create a reflective surface. It was like placing an optical clock up there. Therefore, one of the most crucial aspects of designing the church was ensuring the lighting was just right to create the desired atmosphere."

"Let me show you an example of Baroque architecture, which is rich in detail. We're also designing the interior of the church based on large cathedrals. However, the foundation you use might not yield the expected results, because the church itself doesn't require such intricate details. Sometimes, it's about simplifying the design."

"I used Articy for the initial scriptwriting of Disco Elysium. The image only represents a tiny fraction of the text and choice variables involved. This system was also the reason I eventually abandoned the project after a year of outlining the script and shifted my focus to becoming a sound designer. My mind struggled to keep up with the dynamic graphic rules, but fortunately, a more talented writer took over afterward."

"In terms of sound design, it's essential to develop different layers to bring out the charm of the church as a cohesive space. Although this represents only a small portion of the overall design, each layer actually requires a significant amount of time to compose the whole....... Whenever there's a shift or a change due to the dialogue itself, you need to adjust the background sounds. Each time you modify the details in the dialogue, I have to refine the background audio, ensuring that these elements build upon each other like an intricate layer of work."

"It's funny how many scenes involve characters getting smacked in the face. My job was to recreate those, so I locked myself in the bathroom with a recorder and hit my forehead until it turned red.

As a sound designer, I really dig those unsettling, drill-like sounds. So, I mixed in creepy lectures, metal scraping, moans, and cries of pain—because I just love that stuff! (laughs)

Players will be moving through all kinds of areas, so it's super important to make the sound transitions feel natural, trying to create a more immersive vibe in certain spaces.

With all the scenes featuring big cranes, you can hear them from far away, and I wanted to capture that eerie ringing in your ears. That's going to be a thing throughout most of the game. I've found ways to really mess with players while they're playing!"

"I've come across a lot of old objects (like phones and radios) that I needed to perfectly replicate the sounds. I started to become a bit of a hoarder, buying up different models of old phones whenever I found one to add to my collection. The sound effects I can simulate from them are really impressive."

"Some of the devices don't actually exist in real life—just a mix of architecture and tech. When I need to create sound effects, I first look for something similar that exists in our world, then I try to simulate what the sound and appearance of that thing might have been like a century ago.

Towards the end of the game, there's a character carrying a fuel canister. We needed the sound of the canister, so we dug one up from our garage—it had been sitting there since it was five! I realized this would make the sound perfect. So, it had been there for 50 years, and after 40 years, it finally found its purpose.

In some places, I needed unique sound waves, and recreating them was a real headache until one day I happened to walk by a swimming pool and stumbled upon an old wartime torpedo. You can rotate the torpedo's probe, and it slowly rises up, like a proud zombie head. The sounds it made were exactly what I needed!"

🙋How did you manage to get funding?

"Well, since we're in Estonia, you just need to know a wealthy person. You don't need five people—just two who can network, hang out together, and convince them to keep investing! (laughs) Back then, we constantly ran out of money and would tell them, 'Oops, looks like we spent it all! Can you invest a bit more?' That's how we made it through!"

🙋How did you all come together to make the game?

"Luck. It usually doesn't happen this way, and that's the key difference. It has to be. If not, you couldn't create a game of this scale - well, I mean in terms of budget. But creatively, Estonia definitely has writers and artists who can pull it off. With such a small population, there are a lot of quirky folks who are good friends. We were really lucky, though - lots of fortunate circumstances came together. It brought the right people together, allowing those talented fools to collaborate with us. They had experience but hadn't tackled projects of this magnitude before. So yeah, luck is pretty important!"

Lecture experience shared by 白兔YIYANG SUN on 小红书, reposted & translated by me with her permission.